Many people play roots music, but few modern musicians live those roots like Minnesota’s Charlie Parr. Recording since the earliest days of the 21st century, Parr’s heartfelt and plaintive original folk blues and traditional spirituals don’t strive for authenticity: They are authentic.
It’s the music of a self-taught guitarist and banjo player who grew up without a TV but with his dad’s recordings of America’s musical founding fathers, including Charley Patton and Lightnin’ Hopkins, Woody Guthrie and Leadbelly. With his long scraggly hair, father- time beard, thrift-store workingman’s flannel and jeans, and emphatic, throaty voice, Parr looks and sounds like he would have fit right into Harry Smith’s “Anthology of American Folk Music.”
Parr uses three instruments, not including his own stomping foot. He got an 1890 banjo the first time he heard Dock Boggs. “I don’t do claw hammer, I don’t do Scruggs-style, it’s just a version of me trying to play like Dock Boggs, I guess,” Parr says.
He has two Nationals, a 12-string and a Resonator, which became an obsession when Parr saw a picture of Son House playing it. “The first time I got my paws on one, I went into debt to buy it,” he says. “Nationals are fun because they are as much mechanical as instrumental, you can take them apart and put them back together again.” On an overseas tour, the neck of the Resonator broke in baggage: he played the guitar by shimming the neck inside the body with popsicle sticks. “It solidifies your relationship with the instrument so much: It’s as much part of you as anything else.”
As for the relationship with Chaperone records, it originally began with the desire for vinyl. Nine years after its original release, Charlie Parr’s critically acclaimed second album, King Earl, became available on wax. We followed that up by re-releasing Rooster with its amazing original cover art, hand screen printed and perfect.
Most exciting of all, to us here at Chaperone records, has been the new material. Released in September of 2013, is the “Meeting Charlie Parr” project that includes a film and 13 track LP, originally slated to be called “I dreamed I met Paul Bunyan last night”. It is a very exclusive and limited release.
So, what’s next? Prepare yourselves for a new release coming early 2014, called Hollandale. It will be like nothing before.